 
Goslings
Sam Robison
they drowned in the mud
like they might’ve in
nature, someone says
as in tarpit, as in sinkhole
fell into the shallow hole
couldn’t climb out for the rain
drowned in the mud there
and in their fear there
cold, wet
found them in the morning
one morning, kingdom of daylight
draining through trees
their bodies rolled through mud
little-caramel-apple-like, little beaks
dimly open, drinking up soot
a dead thing is not a novel thing here
violence stitches this beauty together

 every bed dug a kind of violence
every bed dug a kind of violence

 every row planted a new unnatural laceration
every row planted a new unnatural laceration

 an imposition of bad order, another
an imposition of bad order, another

 wound to dress
wound to dress
still, often death is happened upon
and its drama is recapitulated in an instant

 their fall there
their fall there

 their trying to clamber out
their trying to clamber out

 their failure, their slips and
their failure, their slips and

 mother goose yells, father
mother goose yells, father

 goose hisses, a scene
goose hisses, a scene

 of bird-brained helplessness, a
of bird-brained helplessness, a

 fever of helplessness snuffed out
fever of helplessness snuffed out

 by boredom, a slow, gurgling death
by boredom, a slow, gurgling death
two gosling bodies, wrapped in mud, dried now
caking a little, there, unexpected and
the grief absorbs the air all around you
for one flickering frame
and then gloves, then shovel
 
 
Sam Robison is a poet and orchardist with deep ties to the Olympic Peninsula. A former resident of Port Townsend and Portland, he is currently an MFA candidate at the University of Montana.
Originally published in Moss: Volume Six.
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